van den abbeele Eric

Naming If I undestand when i finish a cue when info to record I can go to name and giving number and validite thé cue ? for effect I do this recording with « no effect » option but effet us stil here... but in option I choise option to prepare moving effect before to send effect with moving and perhaps this option keep all orher things like moving.... so for instance my solution is ok ! I keep lyre in bleu at 1%

Other question : I use lyre and using moving effect... working correcty. and when going to black I would like to stop lyre moving, but with intensity to zéro there us no recording things and moving us continuing... so for instances I record with deep blues at 1% and no mouvement can be recording ... so I m sure that there is sole thing else to do but I don’t Know what .... thank for a help !

Question : in daily use what can be problems that will do bug ? is there thing that musn’t do during encodage or performance ? thank for information ... Éric

Hello yesterday first repetiion with the FLX overall things are going well! but at some point I block ... so either I put aside or parfoid I find the solutions quickly! I think the first thing that causes problems is that if I record a black and then know the effect before is changed is to have to go back to black to put out what has been added ... the second problem is to manage to add names to the cues ... sometimes I get there and sometimes not .... what is missing : side effect, management of leds with variations of lights and intensities then saw that I start on the console can be there. What things are going on? the other thing that raises concerns but it is perhaps not possible to change things is when leds work in addition to the red green blue white example of amber that it is not integrated in the selection of colors ... (except to manually add amber) indeed when we go on the search for color the picker and we want the amber the software will make the color with the white red green blue .... and since the access to amber is done by the buttons rotational that must be rotated long to have real amber the time is lost quickly if the amber returns often! so I think in future evolution the management of all colors on the picker would be a big plus! I keep repeating them ... full of other things to say later ... but overall happy with the new rule! see you later

Thank à lot

I also understood the patch operation of several DMX addresses on the same fixture. Convenient to avoid having too many take chants when there are many numbers of circuits. (Example next week I go to a Theater or in traditional, there are 350 DMX circuits. And apart from a few moments of blocking, I start to understand the base ... Then in a few months, it will be much better .... QUESTION About Capture (For Mac) installation is complicated? Because I would like to be able to prepare some things at home, just to save time ... I just have to see the money spend what it gives, because it seems to me that Capture is not given ... Thank you for your help and I'm happy with my purchase! Returns in the coming days to talk a little about the things I feel over the days and help the best. But it is obvious that this product must be able to interest a certain number of structures. So video in French, that I can do to boost things and help you sell this product in France!

thank you very much Still a concern on the fader (chanels) I have no problem on color palettes outside always the famous UV on the encoder wheels. I have a moment ago with the wheel to mount the UV to the max. And there in fact every time I run the fader to have intensity UV returns to max. I use the button CLEAR UV returns again and always Max. And when with the palette I launch a color, the UV is still there ... What to do that the UV do not return (in mode channels)?

I just saw the function "move to dark" ... that means if I understand correctly that the software automatically places the positions before the placement of the lyres ... this solves the concern evoked if above investments in black before and after utility...

Hello Kevin, Today I have been to the theater where I have my equipment installed for a Saturday show. I spent the afternoon on the console with all the material and so it is more speaking. I have some difficulty for some things because I do not have all the possible manipulations in mind. And especially as you say I'm still with the logic of old consoles ... But over the hours things are better and I can do things. For the moment what I do not find more practical is some parameters of not being able to have on hand, except to make a playback. (actually a sub group) Then the different layers of fade are also to be integrated. It's confusing at the beginning, but in fact logical when one wants to refine things ... One of the other things that are missing is to be able to 24/48 on the same channel to put several DMX addresses. As for example for dimmers, or we can put several circuits on a same fader. I solved the problem with a playback. My concern at the level of playblack (in any case this afternoon) I wanted to make a UV playback (since the UV I only with the rotary knob) and in fact I did not succeed to have them. The LEDs first go on white and then after three seconds go to UV ... Then the other difficulties is when on an effect you position a Lyre on a CUE (example 4) and that it lasts on several cue 5, cue 6, you have to copy the effect then build the entourage to find the position . But since I like that the lyre is positioned before it turns on, it is necessary to find the position for the CUE 3 and ditto I like at the end when the lyre goes black (CUE 7) that the position does not move ... (except when I look for effects) But I see in the afternoon the power of the machine ... Then I understand why the wings are more positive. There I have one more wings and I think in the times to come (if the money is there) I will go on a wings and more to have more access on hand. canals or playblack .... In any case a big thank you for your help, eric

Ah OK You re in the same configuration then me. 24 to 48 Conventionnal 36 to 48 LED 5 Lyre Wash 4 lyre Beam Only for dance (Artistic)

It is obvious that on such a console we learn every day ... Because there are so many menus in every sense ... In your case you use your FLX with what as material and in what type of show ...?

OK Top It s working... I was looking about update on screen menu... thank a lot... Like I tell before, I must understand the way to use...

so I did a factory reset. After going on system setting. There is no update menu. Only External display setting with disabled. - Enabled - Auto detect calibrate monitor (and after différents resolutions). So resolution look's good, because I ve a right screen display. This is tactile which look to doesn't t work...

I restart everything. VIDEO Still no operation of the touch screen. The display on the screen is done but I can not run the screen so that to work is a little complicated. FADER What I miss is a lot of direct access. Because there I am to train with 1 projectors. But on show I'm with a lot of things all over the scene ... And I think it will take me some time to understand the whole logic of how FLX works. For my part the master playback button will correspond a little to my old GO for monitoring the show in order. 150, 200, 250 effects that follow each other ... Then the playbacks buttons, will be more help and catch up ... (example lack of a little face on the faces ...) PLAYBACK to MASTER PLAYBACK But if indeed I can record things that come from the Playback (strob, UV and other things) to the Master Playback, at that moment it allows me to better manage things ...

So I restart All. I've find Strob. And start to understand a little beat the Question : If I have a playback with UV I can use this way for recording in master playback ?

I checked on the FLX as on the Stairville modes are in 8 channels. On the FLX I see them on the display menu intensity red green blue white amber UV Strobe. But the problem is the direct access of amber and UV which as I said above are on the coding wheels. And I do not find access to strobes ... I thought for example to select UV and between a value of 100 to put it to full.

The Fixture was made by Zero 88 with the right map. (I send IT) It s look OK fort the normal color RGBW... Problem is only on Amber/UV with are on rotary bouton and StroB which had bo apparent control ...

OK no problem I will go on FLX forum...

SO I can see strob and projector selection but no way to select it. When I m going an Beam it s telling me "no Beam"...

But for my part I will like when I am at the level of the faders in "channels" mode to control with a fader the UV and for example on another fader strobe ... Because when I have to record in theater mode effects one after the others I must be able to quickly access the parameters ... and for example to mount the UV to the wheel elbow takes a while ...

another question : for testing I took an LED projector with me (Stairvilles Retro Flat 18 X 10 W - RGBW + Amber + UV) so I managed without problems to be able to patch and have my projector on the screen of color palettes. I can once the FADER 1 open, playing with the colors except Amber and UV which are selected on two encoder wheels. But no way to have UV without other color... Can I allocate a fader on the UV aspect or create a palette with UV ? And on the other hand I do not buy the strobe ... Can I also for the strobe have an allocated fader? Knowing that UV and Strobe are functions that I use a lot in show.

iiyama T1731SR-W1 touchscrn 5ms white

I checked the version is good! But here after my return from the meal, I try to recalibrate and when I touch the blue edges it does not pass to yellow ... So is it a concern of the rule or the screen? both being brand new ...?

Hello I received the FLX + Wing + Monitor that you advise ... And I can not put on the touch. I did the calibration. When I touch the blue square it becomes yellow and that three times and when I'm asked to draw on the screen, nothing happens ... Thanks for your help... Eric